Thirdly, if necessary, he can help singers adapt songs and even help them innovate songs.
It is because of these three points that we must choose a musician who is proficient in music to be the leader.
Wu Liang finally confirmed his basic duties, but he was distressed again.
Yan Wenhan, a member of the delegation, has asked him to help write a new song. Will he write or not?
Similarly, if his singer also asks for this, does he have to be satisfied?
Wu Liang couldn’t make up his mind at the moment, just like Qi Yiheng asked for advice, but he told him that it was best to communicate with singers directly on such issues.
He believes that most singers should not make such a request. After all, these people are long-established veteran stars. They have classic tracks and there is no shortage of Wu Liang’s new songs.
However, some newcomers Wu Liang can help them as much as possible.
With Qi Yiheng, Wu Liang is like catching an imperial edict and suddenly having an idea.
He immediately called Yan Wenhan and asked him out.
"I promise to write a song for you," he said, "but I want to ask first, do you speak Korean?"
"Korean?" Yan Wenhan blinked in confusion and replied, "A little, but not much, because I really wanted to go to Korea as an intern."
Wu Liang gave him a contemptuous look. The great Chinese singer didn’t want to go to a tiny country to do anything. I really despise you!
But where did he know that Yan Wenhan was afraid that there would be no entertainment company shelter after graduation before he made such an idea?
But that’s not the point. The point is that Yan Wenhan can speak Korean, so it’s easy.
"What are you going to write me a Korean song?" Yan Wenhan screamed at his idea and asked, "Are you sure?"
"OK" Wu Liang nodded seriously
"Do you know Korean?" Wen Han asked him again
"No …" Wu Lianggang suddenly shook his head and said, "No, I will!"
Mom, that was close. I almost let it slip.
Where does he know Korean? But he has a song god to form a system!
The song god cultivation system claims to have collected all the excellent songs on the earth. Isn’t there one or two good Korean songs among these songs?
And why did Wu Liang write Korean songs for Yan Wenhan?
This reason is also very simple.
He’s going for the Korean audience at home!
Chapter two hundred and thirty To jump the pure land of bliss
Does it sound a little shameful to win over other people’s national audiences with other people’s national songs?
Yes, it’s a rather opportunistic practice.
Although there have been singing songs from other countries in the three countries’ song clubs, the frequency is very small, and it is generally only those highly respected singers who do this because everyone believes that they believe that they are paying tribute to the classics rather than stealing and playing tricks.
But there is another exception, and that is originality.
No matter how well you sing other people’s songs, the audience will always have a concept of being the first to win. Besides, it is also a kind of disdain to please other countries’ audiences by covering them.
But originality is different. If you sing well, what will other audiences be happy about? Because you think, who wouldn’t be proud that their national characters have been interpreted into such wonderful songs by others?
Maybe the audience will vote with you more when they are happy!
What Wu Liang wants is to write a Korean song for Yan Wenhan to win his popularity in this way.
Besides, the number of votes is fixed. If you increase and decrease, you can get more votes from Koreans, so won’t Koreans get fewer votes themselves?
This is also a disguised way to attack your opponent.
Wu Liang’s own "whimsy" is overwhelming, and he has decided not to stop. Since the Korean songs have been written, why not have another Japanese song?
Japanese is the official script of Nihong country, because Nihong country has been commonly known as Japan for many years, and it was not until after the intellectual reform that they officially named Nihong country, so many people in modern times still call their characters Japanese.
Mud-bomb country music is also very good. In those days, they once overwhelmed the Chinese world. In the 1970s and 1970s, singers in the entertainment circle of Hong Kong City had covered many songs of Mud-bomb country, so at that time, they left a saying for later generations called "Mud-bomb people compose Chinese ci", which means that Mud-bomb people are good at music and Chinese people are better at writing ci.
Of course, there are various historical reasons, such as that Chinese people have been used to writing lyrics according to fixed tunes since the Tang and Song Dynasties, or that China was gradually moving from closed to open in the 1970s and 1970s, when the country dominated the mainstream or red songs, and so on.
However, it is undeniable that the mud bomb is really good at people’s songs, otherwise they wouldn’t have appeared like Hideo Yamaki.
However, the modern mud boom music scene is gradually declining like Huaxia, because they really can’t solve the problem of theft.
If we can’t solve the problem of stealing music, it’s bound to decline. The Chinese music scene is in a slump. It’s only in the eyes that people are shocked. So what changes have they made?
The practice of mud bombing people is to get close to Han Bang, but they have taken a different path from Han Bang.
What can the Korean music circle rise against the trend? Because they have made a great change, that is, song and dance have always been the main singer and auxiliary dancer, but the Korean musicians have turned them into the main dancer and auxiliary singer.
Don’t believe you, watching Korean pop music is mostly a whole performance of handsome men and beautiful women with long legs and small waists. Where have your eyes been chasing beauty? What is it when you listen to them sing?
Although this method is equally difficult to avoid stealing, it has the greatest advantage that you stole my song, but how can you steal my dance? The audience came to the scene to see the long legs instead of listening to the music, so even if you steal more albums, it won’t affect my selling tickets!
This method has helped the world music circle of Hanbang gradually go uphill, and the situation has gone against the current to prop up a piece of land. How can people who are best at "learning" mud bomb turn a blind eye?
However, mud bomb people also have a strange self-esteem like Han Bang or Chinese people.
Moreover, their self-esteem is even more deformed and deformed.
What is the specific performance?
